CV

CV

	EDUCATION: 1967-68 North East London Polytechnic 1968-71 Winchester School of Art TEACHING: 1972-80 Lecturing visits to North East London Polytechnic, Stourbridge School of Art, Birmingham School of Art Central School of Art & Design, Canterbury College of Art, Winchester College of Art & Leeds Polytechnic. Since 1976 Lecturer, Wimbledon School of Art 1980-81 Research Fellow in Sculpture, Winchester School of Art From 1991 Sculpture Tutor, Royal College of Art From 1997 Appointed Senior Tutor 2009-2010 Deputy Head of Department, Sculpture RCA OTHER ACADEMIC VISITS AND APPOINTMENTS: 1993 Visiting Lecturer, East London University 1994 Visiting Lecturer, Coventry University 1994 External Examiner for School of Arts & Humanities DeMontfort University, Leicester 1995 Visiting Lecturer, University of East London 1996 External Examiner, Kent Institute of Art & Design 1999 External Examiner, Coventry University

	SOLO EXHIBITIONS: 1985 One-man exhibition, Blond Fine Art, London 1990 One-man exhibition, Christchurch Mansion, Ipswich 1990 Beaux Art Gallery, Bath 1991 One-man exhibition, Wingfield College, Suffolk 1991 One-man exhibition, Peterborough Museum & Art Museum 1993 Florence Trust, Islington, Guest Sculptor 1994 Stansell Gallery, Taunton ‘Sign Road Field’ 1995 Sculpture Installation in 100 Old Broad Gate organised by Jonathan Fisher ‘Art Forum’ 1996 King of Hearts Gallery, Norwich 1998 'Groundwork', Djanogly Gallery, Nottingham

	MIXED EXHIBITIONS: 1976 Arts Council Collection, Hayward Gallery 1978 ‘Open Attitudes’, MOMA Oxford 1979 ‘Wood’, Yorkshire Sculpture Park & Edinburgh Festival 1978-90 Sculpture at Canizaro Park 1980 Blond Fine Art, Winter Exhibition 1982 ‘Attitudes’, Yorkshire Sculpture Park ‘Marseille Art Present’, France ‘Sculpture In A Country Park’, Margam, Wales ‘Why Sculpture 11’, West Surrey College of Art 1984 ‘Figures in a Garden’, Yorkshire Sculpture Park Liverpool Garden Festival 1984 ‘From The Figure’, Ikon Gallery, Birmingham ‘Contemporary Carving’, Plymouth Arts Centre & Touring ‘Scottish Sculpture Open 3’, Aberdeen & Edinburgh Artist in residence, Welsh Sculpture Park 1986 ‘Coloured Sculpture’, Stoke Museum Stoke Garden Festival Commission 1986 ‘Feeling Through Form’, Barbican ‘Seven Artists, Audun Gallery, London 1986-87 ‘Contemporary British Woodcuts’, Worcester City Museum & touring 1987-88 ‘British Relief Woodcarvings’, Atkinson Art Gallery & Touring 1988 ‘The Human Touch’, Harris Art Gallery, Preston 1989 ‘The Cutting Edge’, Manchester 1989-91 ‘Out of the Wood’, Common Ground/Crafts Council exhibition Crafts Council Gallery & touring 1990 ‘Sculpture’, Berkeley Square Gallery, London 1992 ‘Contemporary British Sculpture’, Millfield School 1992 ‘Discerning Eye’, Mall Galleries, London 1993 ‘Images of Christ’, St Paul’s Cathedral 1993 ‘Sculpture ‘93’, Chelsea Harbour 1993 Hannah Peschar Gallery, Surrey 1993 Sculpture in the East End, St John’s Church, Bethnal Green organised by Andrew Lamont Gallery 1994 Figure & Fantasy, Herbert Read Gallery, K.I.A.D., Canterbury, Kent 1994 Hannah Peschar Gallery, Surrey ‘Ten Years Of Sculpture Garden’ 1994 ‘Future World’, Milton Keynes 1994 ‘Touch’, Milton Keynes 1994 Norfolk & Norwich Festival Open Studio 1994 Trinity Arts Festival, Cookham, Berks 1995 Henley Festival ‘Contemporary British Sculpture’ 1997 'Points of Contact', Ipswich Museum 1998 Contemporary British Sculpture, John Innes Conference Centre, Norwich 1998 British Figurative Sculpture, Flowers East 1999 - 2003 Hannah Peschar Gallery + Sculpture Garden, Surrey 2002 'Down To Earth', installation, Salthouse Church, Salthouse, Norfolk 2003 'New Concepts in British Sculpture', Goodwood Sculpture, Sussex and touring 2003 'Colour Space', APT Gallery, Deptford 2003 'Small Is Beautiful', Flowers Central, London 2005 'Stuff Becomes Hollow', Contemporary Art, London 2007 'Rummage: Sculptors' Drawings', The Winchester Gallery 2007 "Inside, Outside', The Gibberd Gallery, Harlow Civic Centre 2007 'Wood', Kings of Hearts Gallery, Norwich 2007 'Contemporary Sculpture', Art Contact, Cambridge 2009 'Club Show 1', The Russian Club, London 2009 'Workforce Ha-Ha', De Fabriek, Eindhoven, Holland 2009 'SURVEY', Installation in old timber yard, Tuffnal Park London 2010 'Club Show 2’ The Russian Club, London 2011 'Uncaught Hares 1' Stephen Lawrence Gallery, April-May ,University of Greenwich, London 2011 'Uncaught Hares 2' Clifford Chance Gallery,April-May, Canary Wharf, London 2011 'Uncaught Hares Three', Stephen Lawrence Galley, June-July, University of Greenwich 2011 Two man show (with Desmond Brett) at THE CUT Halesworth, Suffolk, Sept-Oct 2011


	COMMISSIONS AND COLLECTIONS INCLUDE: 1982 Cavendish Comprehensive School, Herts 1983 Cleveland County Council, Middlesbrough 1984 National Institute of Agricultural Engineering, Silsoe Bedfordshire 1985 Comberton Village College, Cambs. 1986 Royal Bank of Scotland 1987-8 Peterborough Development Corporation 1989 Birmingham City Council 1990 Ipswich Museum 1991-92 St Mary’s Church, Peterborough 1991-92 T.S.B. Bank, Birmingham 1992 Clifford Chance, London 1992 Arthur Andersen, London 1992 Blenheim Group, London 1996 Harlow District Council - Sculpture for St John’s Community Centre 1998 Nottingham University

	PUBLICATIONS: 1994 ‘Their Silence A Language’, collaborative book with poet Jeremy Hooker. Published by Enthamon Press 1998 'Groundwork' Sculpture by Lee Grandjean, poetry by Jeremy Hooker ISBN 1. 9000809 559 1998 British Figurative Art - Part Two: Sculpture Momentum ISBN 1 873362 83 8 1998 Scintilla Magazine ISBN 0 9530614 1 6


	BIBLIOGRAPHY & REVIEWS: 1982 Art Monthly, ‘Lee Grandjean & Glynn Williams’ by Peter Fuller 23.11.84 The Guardian, ‘Contemporary Carving’, by John Onley 29.3.85 Arts Review, Lee Grandjean at Blond Fine Art , review by David Lee 9.4.85 The Times, review by John Russell Taylor 1986 Arts Review, ‘Seven Artists’, Audun Gallery, review by David Lee 31.1.84 Arts Review, Lee Grandjean at the Fermoy Gallery review by David Lee October 1986 Newsline, article in Royal Bank of Scotland bi- monthly newspaper regarding Sculpture commission for Angel, Islington December 1987 Art & Design ‘British Sculpture’ a survey from Moore to Mach December 1987 Enterprise, Issue No: 10 (house journal for Mallinson-Denny Group) ‘Sculpture for Peterborough’ December 1988 Arts Review ‘The Human Touch’, by David Lee 1989 Modern Painters, Summer Issue Volume 3 No:2 ‘In Metal, Wood & Stone’, by Giles Auty June 1990 Ipswich Museum Catalogue, ‘Their Silence A Language’ foreword by Jeremy Hooker 28.6.90 Evening Star, ‘Sculpted Statement In Bronze & Wood’ January 1991 The Green Book Volume 3, seven, ‘The Tree of Life’ part two by Jeremy Hooker April 1991 The Green Book Volume 3, eight, article by Jeremy Hooker 1991 Modern Painters, Summer Issue Volume 4 No: 2 ‘Their Silence A Language’ by Jeremy Hooker 19.3.91 Country Life, ‘Artists Skill, Artisans Muscle’ by James Knox 1992 Art Quarterly, Spring Issue, ‘Art Means Business by James Knox 21.1.93 Country Life, ‘Figures That Add Up’, by Alistair McAlpine 1993 Modern Painters, ‘Images of Christ’, by Margaret Walters July 1993 Planet, ‘The Story of a Poem and a Sculpture’, by Jeremy Hooker 8.12.93 The Independent, ‘Daily Poem’, reference to collaborative book ‘Their Silence a Language’, by Lee Grandjean & Jeremy Hooker October 1994 Quarto, ‘Sign Field, Road’ by Lionel Phillips September 1998 The Times, British Figurative Sculpture, review of Flowers East Exhibition - Isabel Carlisle


	BROADCASTS: 1983 BBC North, interview regarding Cleveland Commission 26.7.88 BBC local radio broadcast regarding Peterborough Commission 28.6.90 Anglia TV, ‘Wide Angle’ feature regarding exhibition at Wingfield College, Suffolk 6.1.94 BBC Radio 3, ‘Night Waves’, presenter: Roy Porter, discussion on collaboration 6.7.96 BBC Radio 3, ‘Blue Skies’ presented by Steve Jones, discussion on proportion in sculpture